Better? Worse?

Someone I Love Dearly (SILD) is a heroin addict who has recently entered treatment. SILD is doing great, on a tremendous voyage of self-discovery and new beginnings. Meanwhile I seem to be in the throes of some kind of PTSD and all my initial work in discovering codependence and in recognizing changes I need to make — all of that overwhelms me, saps me of energy, and really pisses me off. I just want to live my frigging life. I already did therapy back in my 20s and 30s. I don’t want to go to more meetings. I want to wake up having learned what I need to learn, adjusted what I need to alter. However, that approach never worked for learning Spanish so I assume it won’t be effective here, either.

I keep thinking about all the ways addicts seem to have more energy and fun* than those closest to them and in my darkest moments I imagine addicts as vampires of the spirit. In my self-sorriest moments I see the codependents as second-string sidekicks, leeches who latch on to give themselves purpose.  In more open moments I look around me in the meetings and see the addicts and the loved ones united by a drive to improve, to not waste another hourdayyeardecade of our lives.

Curiously, of late I am learning a lot from a character in my novel Scar Jewelry, Heather. “Curiously” because I don’t entirely like Heather. But lately I keep thinking about back in her wild younger days, when she was Heater, and her husband died in a motorcycle accident, and her friends feared that her devastation would provoke suicide. When they voiced their concerns, her reaction was No way! I’m not done yet! Lately when I spiral into the darkest or self-sorriest  moments I find myself repeating that phrase.

*After all, as Neil Young first pointed out, “every junkie’s like a setting sun.”

Which One Are You Like?

Waking up.

Bo, Leo, and Arrow.

Recently our kittens had to wear cones after surgery. Their reactions captured their personalities and some basic differences in approaches to life’s troubles.

The cone disturbed Bo mightily.  He didn’t know what to make of it and he immediately became miserable. I’m trapped in a cone. This is terrible.  He dragged himself backwards until he hit a corner, where he hunched down and gave up.

Initially, Leo also wigged out and dragged himself backwards. But he quickly adapted. I guess now I’m a cat who — wears a cone. Okay! Within a few minutes he had evolved an odd but successful, neck-craned gait and had found new ways to pursue his favorite pastime, playing with tiny pieces of crud.

Arrow rebelled against the whole concept of cones. As soon as we put a cone on her, she began whipping her head from side to side and pawing the cone’s edges. No way am I wearing this, get this @#&%$ thing off me. She had it removed and hurled across the room within about 10 seconds.

So far, I have gone through life with responses on the Arrow-Bo spectrum, but I aspire to become more like Leo. How about you?

Live Theater Phobia

It is a struggle for me to watch live theater productions. I feel tense the whole time because I fear I will witness an actor seriously and obviously botching lines, and watch an uncomfortable struggle to get past the problem.  Something deeply disturbing about seeing the actors’ eyes signaling to each other while, with their mouths and bodies, the show goes on.

I don’t know why I have this fear. I go to live music all the time and never worry about performance glitches there. Maybe I had an abusive theater experience as a child.

Anyone else have this? Anybody?

The Subconscious as a Collaborator

How do you come up with your book titles?  Asked this recently, my answer came quickly: At some point I just know what the title is. Which means I’ve been working on it subconsciously. Which makes me realize how essential my subconscious is to the writing process:

  • Stuck? Set it aside and come back to it tomorrow. Usually when I wake up I know what to do — my subconscious figured it out.
  • Sudden discovery, typically while brushing teeth or gardening, of a plot twist that ramps up the tension and surprise? Thank you subconscious, you are always on the job.
  • Realization, as the book nears completion, that details have coalesced into a united theme? My subconscious knew from the beginning what this book was about; the conscious mind is always the last to know.

My principle motivation to write is a desire to connect with other people, but a secondary motivation is to connect with myself and see what will next emerge.

As I write this I find it difficult to say “I figured it out subconsciously” rather than “my subconscious figured it out”.  It doesn’t disturb me to feel that I contain these separate entities.  Should it? 

I Have Always Depended on the Approval of Strangers

Over the years I have become tolerant of many of my flaws, with at least one exception. I hate how much the esteem of others matters to me. I wish I didn’t care what people think of me. Intellectually, I can decree I don’t give a **** – I’ve had decades of experience paying lip service to that – but again and again it is obvious that I do care; in fact, I give several ****s.

The worst is when I need to justify myself to strangers. For example, if I change lanes on the freeway, I like to show the choice was rational and my driving is reproach free by, say, exiting at the next offramp. Why do I think anyone is paying attention? What is my problem? I have never figured out how to break past this. Maybe I need to force myself to change lanes randomly and repeatedly and get so used to living with the shame that it no longer matters.