Some Might Call Him Contradictory

Much to my surprise, being a land baron is no guarantee of being financially successful or secure. At least, that was the case in the 1800s in Santa Barbara County, as I discovered while researching the setting of my new novel*.

The local history of land ownership goes something like this: without individual land ownership, the Chumash indians lived and thrived for thousands of years, until a few centuries ago when the Spanish and Mexican conquistadors arrived. These interlopers – eventually joined by the 800-pound bully of the U.S. government – stole land from the Chumash and then from each other. The scant few surviving Chumash scattered to live in hiding, deep in the mountains and back country.

The various interlopers gifted and sold huge swaths of land as ranchos, in exchange for favors, bribes, service rendered, and money. By the late 1800s, some ranchos had changed hands many times – sold, subdivided, and sold again. Farming and ranching have never been easy ways to make ends meet.

Consider the Rancho Ortega. The first documented owner was one Apolonia Zuniga, who fell on hard times and sold his rancho to a Santa Barbara doctor and rancher who sold to two Englishmen, who raised sheep on the rancho but no profits. During this time, on the rancho and nearby, various men dug for oil with disappointing results.

In 1883, the Englishmen sold the 1,049-acre Rancho Ortega to Henry Lafayette Williams (photo; Santa Barbara Historical Museum). He paid $17,000 ($16.20 per acre). Another business venture left him with less cash than he expected, so he made good on the rancho purchase by borrowing some money and giving the former owners a hefty note for the rest.

That was a lifelong pattern for Williams, who had an amazing instinct for being in the right place at never quite the right time: he would take a gamble, prosper temporarily, succumb to debt, take another gamble. But I’m jumping ahead of his story.

Williams was born the son of a financier in Ohio in 1841. He joined the Union Army just in time to fight under General Grant in the battle of Shiloh. A 19th-century biographical sketch asserts, “They were in the three day’s fight at Stone River, where one half of the regiment was lost, and were also in many small skirmishes. Mr. Williams, however, did not receive a scratch, although his clothing was many times pierced with bullets.”

After the U. S. Civil War, he married his childhood sweetheart Katie and job-hopped from government pay agent to coal salesman to special agent for the U.S. Treasury to copper mining entrepreneur; from Ohio to Pennsylvania to Arizona to Rancho Ortega.

The rancho came with cattle but he sold these and bought pigs. Heavy rains in the next winter decimated his pig population and washed out his lemon orchard. After that, he diversified crops and enlisted his whole family to help out. For example, his father dried apricots, his mother and aunt sewed bean sacks. All this wasn’t enough to make ends meet. He had to borrow from a fellow rancher to pay interest on the original note that got him the rancho.

Briefly, he enjoyed a thin financial cushion from the sale of some pigs. His accounts looked to finally move into the black when he devised a new – as always, complicated – partnership to sell most of the rancho at a big profit. Alas, that deal fell through and when he tried to sell more pigs, they went rogue and eluded capture. He bank-mortgaged the rancho and got into yet another complicated partnership, this time to convert part of his rancho into a town with its own railroad stop. In Southern California, land sales were booming, thanks to railroad expansion and more.

Williams platted the easternmost sliver of his rancho – about 100 acres – into blocks with lots measuring 25 feet by 60 feet, and began to sell the lots in this new town which he called Summerland.

The town may have started as a way to pay debts, but its development took an unexpected swivel from debt reducer to utopian community. It may be that Williams was the only one in his town-building partnership with this intention.

Summerland. The name was probably a tip-off. Although, like other key pieces of Summerland’s lore, the origin of the town’s name is today uncertain. Modern-day articles speculate but the intention isn’t confirmed in documents from the town’s early days.

Anyway. The town was likely named after the summer land, which, according to some spiritualists, is an interim world where spirits first stop after death.

The spiritualist movement was widespread during Williams’ time. It included intellectuals and academics and professionals as well as ‘plain’ folks. They all depended on mediums who claimed to contact the dead during seances. Some spiritualists sought to use scientific methods to understand what happens after death. Some wanted to improve humanity. Some simply yearned to connect with dead loved ones: interest in seances spiked after the Civil War and again after World War I.

Williams’ beloved wife Katie was a spiritualist and she got him interested in the movement, at least for a while. He was inspired to write letters to his deceased brother and father. And he began to invite settlers to his new town with newspaper advertisements like these:

– The Reconstructor,
June 12, 1890

Wife Katie had been ill for several years and died shortly before the launch of Summerland’s spiritualist colony. Williams soon remarried, and his second wife was not a spiritualist. Still, the whole town attended the wedding; and, for a couple years, Williams continued to lecture and write about his uplifting ideals for the new town. In addition, he became known for his kindness and flexibility when settlers needed help with the costs of joining the colony.

He seemed remarkably comfortable with mixing spiritual and material concerns, such as in this speech to spiritualist conference attendees:

We can render a double service: assist in the development of higher, stronger mediumship, and help poor spirits out of darkened conditions. The angel-world has seleced this locality in which to perform this beneficent service, for in no place I have ever visited or read of can be found its equal in natural advantages accessible by both railway and steamship.

Even while he was welcoming spiritualists, he attracted speculators looking to exploit Summerland’s resources. The speculators were encouraged by Williams, which set the colony members to complaining: about the gas and oil drilling in their streets; about the new, nasty smells that earned their town nicknames like Smellerland and Stinkville.

After a brief surge in popularity, Summerland’s lot sales slowed, then stopped. Now, spiritualist colonies rarely lasted more than a few years so it’s not definite that Summerland’s colony would have persisted, even without the oil and gas drilling. Certainly, the colony’s founder lost interest in attracting more spiritualists. As Williams wrote to one of his bankers in 1894:

I have had a big load of debt to carry. I started a town which invited a lot of cranks to it who have fought me in every way possible, until I have been forced to abandon the idea upon which the town was founded in order to get rid of them. The recent discovery of oil in the town is going to create some excitement and demand for lots and land, this with the early completion of the gap in the S. P Ry [Southern Pacific Railroad] making or placing my property on its main line will enable me to pull out nicely within the next 18 months.

He must have held mixed feelings about the speculators, as well. Williams loathed drinking and when he established Summerland, he forbid – upon forfeiture of your land! – the sale of alcohol and saloons, which he called criminal education schools. Such restrictions might be palatable to spiritualists. But did Williams try to make teetotallers of the oil drillers, too? I’m guessing that he did not, because there don’t seem to be news stories of civil unrest in Summerland during those years.

Summerland’s beach by about 1920. Photo: Library of Congress.

Despite years of false starts and drilling strikes that didn’t amount to much, Williams remained enthused about Summerland’s gas and oil prospects. He was the first to try to cement a claim stake into Summerland’s shifting beach sands. Meanwhile, he joined yet another complicated partnership, this one intending to run an electric train between Santa Barbara and Summerland. That project installed some power lines before it fell apart.

Life continued to be rough for Williams, financially. He had long been defensive about colony terms and prices. And now he began to sue people for harming his town’s prospects, beginning with a libel lawsuit against a publicly unhappy lot purchaser.

His own oil drilling did eventually bring him prosperity, for a time. But then his health failed him, and he died at 57, on the downslope of one his endless repeating cycles: restless optimism spurred by bold innovation undercut by debt-driven haste leading to limited success and blustery chagrin.

Endless repeating cycles. That’s my opinion and I don’t presume to understand anyone well enough to proclaim such claims as fact. I have read what little writing survives, by and about Henry Lafayette Williams, and my reading has jumped me to many conclusions…

… And has left me feeling considerable affection and respect for the man. In fact, I discovered that I could not write a novel* set in the early days of his town, without making Mr. H. L. Williams a character in it. And when I came upon this obituary, it broke a piece of my heart.

– Los Angeles Herald, 1899

*****

* My new novel is The Summer Land, an historical drama from a supernatural time. Here’s a thumbnail description:

1891. A runaway boy happens upon a mysterious young girl, all on her own with amazing powers. He brings her to Summerland, California, so that she can learn to live safely around people and he can hide from his past. Summerland is a brand new town, a spiritualist colony attracting many kinds of seekers, including psychic investigators, oil speculators, the recently deceased, and these two stray children in need of a family.

Currently, you can get The Summer Land from Chaucer’s Bookstore in Santa Barbara, from Amazon, and from your preferred ebook store on-line.

Over the next couple months, copies will be trickling into other stores and libraries.

[This post pulls from numerous historical sources, listed in the bibliography at conclusion of The Summer Land.]

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1000 Reading Hoarders?

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Discovered this cool milestone today at Smashwords, an ebook distributor in the midst of their gi-normous summer giveaway. My ebooks have 1,000 “purchases” via Smashwords.

Now, most of these purchases have been free in giveaways. And people tend to hoard ebooks, unopened, after such sales. But at least a few have read my books. They post reviews; during future sales, they acquire later volumes in series; they bookmark me as an author they want to find again.

Nowadays I don’t care much about getting customers for my books but I most definitely want readers. Through the month of July, you can download any/all of my books from my page at Smashwords, in any/all ebook formats.

10 lords a-leaping, 1,000 readers hoarding…

A Free Read Every Day (on the DDsE blog)

BlogLogoRedo2018I’m so glad I decided to do it! Brought back the DDsE daily serial blog.

Over on the DDsE blog, we’re in book 8 of Ella’s diary. As far as I can tell, her current adventures will take us through book 9.

I’m having a great time posting Ella’s diary to the near-instant gratification of readers who come to the blog daily.

The farther I get into the DDsE series, the less I can figure out whether I am writing it or transcribing it. For the first time, I’m writing improvisationally. What happens happens. I discover what comes next as I fill the latest blank screen on my iPad.

If you become a follower of  the DDsE daily serial blog, you will get each day’s diary entry emailed to you. Of course you can also click over to it whenever you please. I’ve heard from a number of folks that they’d rather wait and read a bunch of daily entries in one swoop. You can read the compiled, completed books (7 so far) on the blog.

For those who don’t want to read via browser, each book of Ella’s diary is an individual e-book novella on Smashwords. (6 individual novellas on Smashwords so far – 3 to go.) I’ve also compiled Ella’s books, 3 to a volume, and published those volumes on Amazon as e-books and paper books (2 compiled volumes so far – 1 to go).

You Can Read DDsE by Blog (Again)

BlogLogoRedo2018It’s a recurring story of my life. To see the value in something, I have to stop, leave, turn away from it.

It, such as publishing the DDsE daily serial blog.

Once upon a time, I had a blog that published the daily diary entries of Ella, a 16-year-old who had just entered a horrible strange amazing phase of life. Ella filled three books with her secret, hand-written diary entries and I posted the entries on the DDsE blog.

[OK, I admit it, I’m the one who has been writing Ella’s diaries and I’ve loved doing so. Although I’ve never had mind-to-mind contact with a feral cat, nor run away with a boy who wasn’t human, nor been chased by unhuman monsters, I can so relate to Ella. I’ve been a teenager all my life.]

Ella has kept writing her diary but I stopped posting entries on the DDsE blog.

I stopped because I’d been bitten by the publishing bug and my agent said that she couldn’t shop DDsE if I was giving it away. So I compiled Ella’s first three books into a single volume and my agent began to shop DDsE to big-deal publishers who took forever to say that they loved the story but didn’t like Ella. Or vice versa.

I discovered that I’ve changed.

Long ago, publishing my novel Was It A Rat I Saw in hardcover with a big-deal publisher was very important to me. Nonetheless, I stopped writing for a couple decades and when I resumed, it wasn’t because I wanted to build or re-build a writing career. I resumed writing because I missed writing.

When I resumed, I joined the self-publishing revolution (and it really is a revolution) but I maintained lingering fantasies about some sugar-daddy publisher who would make the publishing grind easier for me.

I’ve come to realize that I write to connect: with myself; with my readers. To realize this, I had to shut down the DDsE daily serial blog then miss it.

But re-starting the blog seemed impossible. Embarrassing.

At some point, I withdrew DDsE from the big-deal-publishers shop-around and began to self-publish it. Each book of Ella’s diary became an individual novella on Smashwords. (6 individual novellas so far – 3 to go.) I compiled Ella’s books, 3 to a volume, and published those volumes on Amazon (2 compiled volumes so far – 1 to go).

I continued to miss the blog. So. Tupac the impossible embarrassing. The DDsE daily serial blog is back. From now on, every day that blog will publish a new diary entry by Ella.

However, the new entries will resume with the current diary, book 7, because the DDsE blog features Ella’s newest entries, the ones that haven’t been published elsewhere. While the blog was on hiatus, books 4-6 got published elsewhere. Sure, they are compiled on the DDsE blog, and you can read them there. But the newest entries are in book 7.

Saturday, Feb 16, the DDsE daily serial blog will resume daily posting of Ella’s newest diary entries, starting with entry 260 from book 7 of DDsE.

Now would be a good time to catch up on books 1-6 and to begin following the DDsE blog.

Note that I usually keep my blogs separate so if you follow this blog – awesome! thank you! – you won’t get any DDsE posts. You have to click over to the DDsE daily serial blog to follow Ella’s diary.

Cover Directions – Want to Vote?

I’m about to publish a new series of books called DDsE. My cover ideas are divergent, and I’d like to get your reactions to the two styles, which capture different flavors of the series, a young adult paranormal horror romance. A brief introduction:

Being sixteen is Tupac Eminem. Ella has no one to talk to except her new diary, which she has to hide from Ma and Pa Warden, the foster parents she’s stuck with since her family got flattened in a car accident. Now that she lives with the wardens, she’s in a new school where people act like her tragedy is contagious. Her new suburb is just as boring as the last, and offers no hope of secret passageways or magic. But life is not all bad. There’s an interesting boy at the new school – although his family turns out to be impossibly dangerous. And there’s a feral cat, living in the suburb’s only open space, a pitiful excuse for woods. Sometimes the cat invades Ella’s mind. She tells her diary, ‘I’ve gone a special kind of crazy, a split personality. And my other personality is a cat, not a person.’

I’m looking forward to your input!

Pssst! I Want To Share My New Discovery: It’s Called Twitter!

How many times do you have to hear the same advice before you listen? For me, the answer is 17. That’s how many times somebody told me, You’re a writer? You need to be on Twitter or people won’t know about you.

Okay, I made that up. The 17, that is. It could be 12, could be 30. Anyway, I’ve heard it a lot of times. I resisted the advice for years, because I don’t really get Twitter, except it is amazing to watch the flow of tweets during big-deal world events. And it’s a brilliant medium for certain comedians. The 140-character limit is also an intriguing fictional milieu, and I once dabbled in creating multiple accounts for imaginary people so that I could engage them in a story. It was fun, but writing novels remains funner.

Funner is a word my son used, back when he was small. For example, he dictated this message with the shower gift to an unborn child, “At first it’s not fun but then it gets funner and funner.” (It = life.)

But I digress. Just like on Twitter, except with more characters.

As with my children, I want the best for my novels. Especially, I want people to read them. Towards that end, the first – and in the current publishing world, the most difficult – step is to make people aware that my novels exist! So, a week-plus ago, I took the plunge and joined the Twitter universe.

Screen Shot 2014-08-17 at 5.46.40 PMThe Twitterverse is a peculiar place that I don’t much understand. I have come to learn that if you like what someone tweets, you can reward them with various coins of the realm. You can favorite the tweet, or re-tweet it, or follow that tweeter. Following someone is a particular honor, apparently, and important. Some people pay for services that reveal who followed – and who un-followed – them every day. What does one do with un-follow information? Beg them to come back? Make a Nixonian enemies list?

My number of followers fluctuates. This happens whether or not I tweet anything. The long-term trend is up so maybe it’s like the stock market. Or perhaps I have offended some, by failing to retweet them, and so they cut me off. More likely, they were false followers, who followed me just to get me to check them out and say hmm, interesting and follow them back… Mission accomplished, they hook another follower and then unfollow her. Me. Apparently this kind of thing is worth the effort because your ratio of followers to following could indicate how cool you are. In even more arcane ways, your number of tweets matter, but I’m not the one to explain how that works.

The unfollowing methodology perplexes me. Should I figure out who unfollowed me and – eye for an eye! – unfollow them? Should I unfollow the #Dalai Lama? What about my musical faves like #Chris Thile or #Noam Pikelny or #X (here Xtheband)? They’ve had more than a week to follow me back, how long am I supposed to wait for respect?

I can’t imagine how much energy it takes to keep track of such things. Twitter is overwhelmingly productive. I don’t follow many people yet, so I don’t get all that many tweets on my timeline. While I typed this, I only got 183 new tweets. Wait, make that 203. The tweets flow by and if I’m not watching the screen when your latest tweet posts, I will never see it. And so tweeters post and post and post, so that I might occasionally see one of their tweets. (Make that 247 new tweets.) Many writers claim that incessant tweeting noticeably boosts sales and downloads of their books. (272 new tweets.) Oy. I hope that is not the only way to grow readership. (292 new tweets)

Conversation seems difficult on Twitter. When you reply to a tweet, you do actually engage with another tweeter, but your timelines shows non-sequitur reply lines that make no sense to anyone else and it takes several clicks to backtrack to understand the conversation. I’m sure no one bothers.

For all of that, Twitter is amazing. Think about it. All over the world, millions upon millions typing and sending these cryptic messages in internet bottles, all day, every day. No need to reply, it’s all one-way. (337 tweets) Sometimes I go bittersweet and pretend that Twitter relays the transmissions from a distant galaxy, messages only just now captured after traveling light years from a civilization lost to a supernova, eons ago.

Do you tweet? My twitter handle is in the snapshot – stop on by! (363 tweets)

P.S. To those of you who have read Nica of Los Angeles – I sound like Nica now, don’t I? It’s kind of awesome and kind of creepy to be inhabited by a character in this way. After I finished book 1, I wasn’t able to shake her style of narration, and now that I’m immersed in book 2 in the series, I’ve stopped trying to shake it because I need it again. Maybe I will become more like Nica, and not just talk like her. Now that would be awesome!

Four Answers, Then Tag, They’re It!

Folks, you are about to witness my first participation in a blog tour, a newfangled invention by which indie writers help spread the word that they exist. Lisa Voisin invited me to join. Lisa has followed an interesting life path and it’s no wonder, perhaps, that she now writes young adult paranormal romance.

The way this blog tour works is that I answer four questions, then tell you about a few writers whose books I have really enjoyed. They will continue this tour by answering the same questions on their own blogs in two weeks.

Q1) What am I working on?

I’ve just started writing the second novel in the FRAMES series, the follow-on to Nica of Los Angeles, a speculative fantasy with detective and dystopian elements. Book 2, Chapter 1: my most recently completed sentence reads “As I returned to the street, the air pulsed in a series of quick blasts, punctuated with the deep screams of grown men.” Maybe we should have a contest and the winner will correctly guess what that sentence will read like by the time this new novel matures into a final draft.

Q2) How does my work differ from others of its genre?

Frankly, I think the author would be the last one to answer this question well.

Q3) Why do I write what I do?

I write what I feel compelled to write. The trick is to sustain that drive through the long haul of finishing a novel. More than once, over the years, I have fought the temptation to freshen my characters mid-book, by sending in a bus to run over the first bunch. Fortunately, I am having a great time writing Nica, and her second book looks to be more fun than the first.

Q4) How does my writing process work?

My subconscious has all the best ideas, but its contributions are scattershot and unpredictable. It’s my conscious writer that keeps plugging away, day after day, to draw the inspirations up to the surface and the page. Screen. Keyboard. Touchscreen.

I write first drafts on my iPad, and love sitting on a summer patio in the dark, illuminated only by my device. However, for editing and formatting, I have to return to my laptop, with its full-service software.

And now I’d like to introduce…

One benefit of being an indie writer is getting to e-meet other indie writers, all over the globe.

Hock Tjoa has this to say about himself:  “Hock is a retired teacher and banker and writes as part of his mission to make more widely known traditional Chinese values, but he makes digressions. He lives in northern California.” I read a play that Hock wrote, based on a Chinese folklore detective, and much enjoyed the dry wit and cleverness of the piece.

Louise White has had nearly as many career paths as I’ve had (!) and has covered both ends of the service spectrum, as a waitress and then a cop. She lives in Scotland and writes a young adult series about a kickass teenage girl who fights demons in a world that is … almost… just like ours. I love how normal and teenage her heroine is, in the midst of all the fantasy.

Tennesseean (?) Fran Veal also writes YA. She mingles teen drama with crime and just a touch of the paranormal. I am one chapter away from completing my first novel by her and it was painful to set it aside so that I could meet various deadlines like posting my blog tour entry on time. But hey, I’m a grown-up, right?

I sense some sniggering, somewhere. Grown-up? Reading a bunch of Young Adult books? And how! It’s one of my favorite genres! Let me know if you want some more YA recommends!

 

 

A Shot to the Foot — Or the Head? (Cautionary Lists for the Self-Published)

Cover art by Lars Huston.

Cover art by Lars Huston.

This is a sad story about self-inflicted damage to my recently published e-book, WAS IT A RAT I SAW, a psychological thriller involving split brain research, animal rights, and a love quadrangle.

I’ve always been a decent copy-editor, but things went terribly wrong with RAT. I thought it would be my easiest e-publishing experience. After all, I have the hardcover version, published by Bantam-Doubleday-Dell after mind-bogglingly extensive editing by their professional crew. All I had to do was retype it; and typing is easy for me.

Yeah. Well. My first e-version had hundreds of typos that I failed to notice. Not an exaggeration and not a … typo. Hundreds. I thought I had reviewed it carefully: professional-quality self-delusion! Below I itemize what I think went wrong, in case it helps another self-published writer avoid a similar nightmare.

It turns out that there are readers who ignore typos, and readers who are personally offended by them. My first several reviews were from the former group – so warm and enthusiastic! Five stars and raves from strangers – awesome! I started to get a steady trickle of sales. Then the latter group of readers posted reviews. All those typos opened the door for some nasty attacks. My trickle of sales stopped on the day the bad reviews appeared.

(Don’t get me wrong – I hate typos and don’t blame readers for hating them also. Probably because I support indie writers, I would never write an attack review because of typos, though … especially when I got the book for free. But if I didn’t absolutely love a typo-riddled book, I would avoid other works by that author.)

RAT’s problems may yet worsen. More than 2000 patrons of Amazon and Smashwords downloaded the typo-riddled version (mostly during free promotions). My initial elation about all those potential readers has mutated to fear of typo-phobic reviews, and misery that I created a situation where I may have attracted then repelled so many readers.

I’ve now spent the last couple weeks doing nothing but proof-reading and contacting reader-reviewers who were about to read the typo-riddled version and exchanging emails with Amazon and Smashwords to find out whether they can notify their patrons that a new, cleaner version is now available. (With Amazon, the answer is maybedepending on whether Amazon thinks the changes matter; with Smashwords the answer is no.)

I see sentences from RAT when I close my eyes. I induce insomnia imagining that the newly uploaded version is still full of typos that I somehow still missed. I yearn to return to editing FRAMES, my fantasy detective series. The FRAMES manuscript is dusty now, and covered with paw prints because this fellow has taken to sleeping on it:

A nice soft stack of papers makes an excellent nap site.

A nice soft stack of papers makes an excellent nap site when you don’t care about typos.

I can only hope that I will be able to restore trust and momentum with the newly uploaded, corrected version of RAT. Tune in later to find out whether I have shot RAT in the foot, or the head.

Many things seem to have gone wrong during the creation of  that first e-version of RAT:

  • Software conversion glitches? I used the Apple word-processing software Pages initially, then converted to Word. At some point, one of these stripped away certain “end paragraph” markers and adjoining dialog quotation marks.
  • Rogue auto-correct? Auto-correct is a headache-inducer so I always keep that “feature” turned off, yet some of the substituted words in RAT were so bizarre! Makes me wonder if an auto-correct got engaged, clandestinely, for a time.
  • New glasses prescription needed? Many of the typos were invisible to me until I magnified the text above 300%: for example, single quotes where double quotes should be; sign instead of sigh, i where l should be.
  • Past my bedtime? In some chapters there are clusters of typos in sections that I recognize as places where I pushed myself to do just one more page before I stopped for the night.

Here is what I will do differently from now on:

  • Stick with Word. It pains me to type that. I so hate Word. However, a Word doc is a required step to prep a file for Smashwords and Amazon, so that format cannot be avoided. And with every format change, problems can multiply. If I only use Word, I limit the number of format changes.
  • Remember, humans are the real spellcheckers. The spell- and grammar-checking functions of word processors only catch easy, obvious problems. Most of my typos were subtle punctuation errors, or mistakes that produced words that were real, but wrong.
  • Save the most careful read-through for the end. I did my most careful read-through early on. I’m still uncertain how many problems I missed and how many I introduced later.
  • Blow it up. To do a serious typo hunt, I need to magnify the text to 400% zoom, then resize my window so I can only see a couple lines at a time. This minimizes the chances that my eyes will bounce, jump, or slide past overly-familiar text.
  • Learn patience. Damn, I thought I would sneak through this life without it. When I finish a book I am so eager for people to read it! But if I can get myself to set the book aside for several months, I will regain perspective and a fresh set of eyes.
  • Print it on expensive paper? At the office this works like gangbusters: nothing like printing a “final” document to spot mistakes in it. This technique may only work when racing to meet a deadline, however.
  • Read it aloud? Other writers suggest this and it sounds like a great idea — maybe to evaluate the flow of sentences rather than copy edit? Anyway, the technique didn’t help me. When I read the words aloud I missed punctuation and syntax errors.
  • Read it backwards? This is another great-sounding idea that I couldn’t get to work for me. I found fewer mistakes when I severed the words from their context by reading backwards. Maybe I failed to select the right length of prose to read backwards.
  • Hire somebody? In principle this sounds good. Of course, one must check the checker (Horror stories abound regarding hired-gun mis-fires.) Anyhow, for the foreseeable future, I do not have the $800+ that a copy editor charges for a full-length novel.
  • Offer readers a free ebook if they report typos back to me? I have made this offer to a group of LibraryThing reviewers. Maybe they will like the offer, maybe it will piss them off and guarantee more bad reviews. Sign. (<- joke typo)

Indie authors and indie readers, I would love to get your input about any or all of this!

Confessions of an Ignorant Book Marketer – Advice Sought!

photo from michaelfruchter.com

Am I making this harder than it should be?

Leave it free or stop the freebie? That is the question.

A detailed recap of the situation so far: a couple days ago, I was surprised to discover that Amazon was offering my ebook, WAS IT A RAT I SAW, for free. It turns out this happened because Amazon will not be undersold, and Sony-US (also unbeknownst to me) was offering the book for free … That, in turn, happened because Sony-US did not update its price after a free promotion ended on Smashwords (which distributes to Sony-US). Sony-US  has now  updated its price, so Amazon has no reason to continue the free promotion.

If that recap is confusing and doesn’t seem worth the time to sort out, here is the bottom line: it is now up to me. Do I continue the free promotion on Amazon?  Answer: I dunno. So: anyone with experience or opinion, please weigh in!

Here are my conflicting facts and questions:

  • In a couple days, there have been more than 1000 free downloads (to me that seems like a lot)!
  • Are these downloaders readers? reviewers? Or simply hoarders of free stuff?
  • My first priority as a writer is to have people actually read my novels.
  • My second priority is to get reviews on line.
  • Third priority (yet still a priority!) is to have people purchase my novels.
  • My “sales” ranking among the free ebooks has moved from infinity to measurable.
  • The “sales” rankings seem quite sensitive to minor variations in totals. Mine now  fluctuates between #200 and #400.
  • How long might it take to break the Top 100 Free Ebooks list?
  • Is there value in doing so?

What do you think about maintaining the freebie? I’m inclined to let it ride for a few more days and see what evolves. Is there a downside I’m not seeing?

P.S. To download your own free copy of WAS IT A RAT I SAW, start here.

P.P.S. Photo from michaelfruchter.com.